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This week’s newsletter is a bit different. I wanted to share these first-rate creative graphics — and a peek inside the process that inspired them — and this seemed like a perfect time. Plus, I have news for the women solopreneurs in our SOLO community. How do you capture 100 years in design?Ever wonder what it’s like to delve into one of the world’s most prestigious art collections for design inspiration? That’s exactly what happened when a Brooklyn design studio was tasked with creating a centennial visual identity for the Morgan Library & Museum. The challenge? Capture 100 years of cultural heritage in a fresh, contemporary way to celebrate this important anniversary. From private library to public treasureThe Morgan began as financier J. Pierpont Morgan’s personal library, housed in an Italian Renaissance-style palazzo designed by Charles McKim of McKim, Mead & White in New York City. In 1924, his son Jack transformed the library into a public institution — one of the most significant cultural gifts in American history. Today, the Morgan holds priceless manuscripts, rare books, master drawings, and musical scores. (It’s also one of my favorite places to visit whenever I’m in New York — at Madison and 36th Street.) But how do you represent such diverse collections in one cohesive visual identity? Inside the design processThe designers at Miko McGinty Inc., who have worked with the Morgan since 2008, started with fundamental questions: What makes a centennial logo different? How could they honor tradition while staying quintessentially “Morgan”? Their creative journey led to an unexpected discovery. While researching Belle da Costa Greene, the Morgan’s first director (currently being celebrated in a major exhibit at the Morgan), they found something special — Greene’s distinctive handwriting. But they didn’t stop there. The team dug deep into the Morgan’s collections, hunting for representations of “100” across centuries of cultural artifacts. They found them everywhere: in musical scores, medieval manuscripts, and even ancient cuneiform tablets. Each discovery represented a different facet of the Morgan’s collection, explains designer Julia Ma, who created custom drawings based on these historical references. The result? A primary centennial logo plus 13 unique interpretations of “100,” each telling its own story while remaining part of a cohesive system. The final centennial identity included these 13 additional “100s” representing the Morgan’s collection: Row 1: Main centennial logo with the 100 in Kievit; The Rose Haggadah; Albrecht Dürer’s Adam and Eve; Giovanni Battista Marcola’s drawings; 100 in cuneiform Row 2: Charlotte Brontë’s The Professor; Gutenberg Bible; John Milton’s Paradise Lost; Blaise Cendrars’s La prose du Transsibérien; Jane Austen’s Lady Susan Row 3: Verdi’s Otello; Parmigianino’s drawings; Kodak film; Oscar Wilde’s Picture of Dorian Gray When past meets possibilityThe final identity harmonizes these varied elements with a clean, contemporary main logo. Together, they create a visual system that celebrates both history and modernity — proving that even century-old institutions can find fresh ways to tell their stories. For visual thinkers, it’s a masterclass in finding inspiration in unexpected places. Whether designing for an established cultural institution or your own creative business, the Morgan project shows how diving deep into inspirational sources can lead to rich visual solutions. It prompts us to ask: Where else should we look? 🚺 Virtual co-working for women solopreneursI'm running a pilot project to host virtual co-working sessions for women solopreneurs, starting Tuesday, November 19th. Join us for 50 minutes of silent individual work on your postponed To-Do list items. Bookkeeping? Drafting social media posts? Following up on client leads? You know your list! I’m envisioning a virtual study hall with women friends in quiet congeniality. Then, if you choose to stay an extra 15 minutes, you can meet other women solopreneurs in three quick breakout rooms. There are no expectations, preparation, or fees to participate. It’s my experiment to help women build stronger solo businesses. To participate, reply to this email to express your interest. I’ll send registration details and the Zoom link. The first session is Tuesday, November 19th, at 1 pm ET/10 am PT. Sessions will run each Tuesday for the next five weeks. ❤️ Fresh finds for creative mindsHere are this week’s gems from around the Web for all types of visual thinkers and solopreneurs: 💾 Meet the Icon Queen ➕ How Do You Graph a Culture? ✅ How Not to Quit ⌛️ Did you miss these?Catch up on some recent popular issues of SOLO you may have missed. ✅ The Hidden Language of Shapes ✅ This Framework Decodes Your Marketing Problems ✅ The Productivity Secret of the Solo 7 ✅ 3 Strategic Questions to Transform Your Personal Brand ✅ Meet the Solo Business Canvas! Want to check out other past issues? Visit the SOLO Newsletter archive. Thanks again for being a SOLO reader and coming along on this journey with me. Know someone who enjoys the behind-the-scenes work of design? Share this newsletter with another solopreneur! And if you received this issue from a friend, I invite you to subscribe. See you next week, |
Solo Field Notes is your weekly design and visibility lab — part of the Solo Business School, and dedicated to helping solopreneurs stand out with smart systems, sharp visuals, and AI that unlocks your edge. Each week, you get fresh ideas to help you stay small and play big.
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